EVA Visual Arts in Europe: An Open History

Artwork

The night

Ferdinand Hodler

Between 1889 and 1890

Kunstmuseum, Bern, Switzerland

Plusieurs corps allongés et partiellement nus disposés au sol
Courtesy of the Kunstmuseum, Bern, SIK-ISEA, Inv. 23111, All rights reserved

Details

Creator(s)
Title(s)
  • Die Nacht
  • The night
Date of creation
Between 1889 and 1890
Materials and techniques
Oil on canvas
Dimensions
  • H. 116,5 cm; W. 299 cm
Inscriptions
  • Signature bottom left: F. Hodler.
other_information
  • Hodler Catalogue raisonné 1200
Place of conservation
  • Kunstmuseum, Bern, Switzerland
accession_number
  • G 248
  • 1901
Acquisition details
  • Lent to the Kunstmuseum Bern by Kanton Bern
Rights
  • Public Domain
External links
classifications

Linked article

In the painting The Night, Hodler placed a naked man lying down at the centre of the composition, with a succubus shrouded in black perched on his lower abdomen and thighs. The sleeper startles awake in utter terror, clawing at the knees or paws of the nightmare in an attempt to fend it off. None of the other sleepers around him notice what is happening. Hodler used himself as the model for the terrified man, which gave rise to many psychoanalytical interpretations – all the more so as people recognised his wife in the sleeping woman from whom he had turned away and suspected the naked woman to be a mistress, without, however, investigating whether professional models had been used.

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